november, 2020

15nov1:00 pm4:00 pm**POSTPONED** twelve seasons' performance by Ed Cooper & Ryoko Akama1:00 pm - 4:00 pm

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Event Details

twelve seasons’ consists of two performances, the first at The Tetley and the other at Left Bank, interjected with a soundwalk up the Aire Valley Towpath.
Due to social distancing guidelines, this event is limited to 10 ticketed ‘bubbles’ of two, meaning a maximum number of 20. If there are any issues with this, for example young children are included in your bubble or guidelines change, please get in contact ASAP. We would like to have as large of an audience, but safety, wellbeing, and comfort is a priority.
15 NOVEMBER SCHEDULE:
13:00pm — The Tetley, outside performance of November, December, and January.
13:30pm — Walk the Aire Valley Towpath (approx. 2 miles), performance of February, March, April, May, June, and July.
15:30pm — Left Bank, inside performance of August, September, and October.
INFORMATION:
twelve seasons’ is a composition by Martin Nutt and Ryoko Akama, executed from the 12 months’ postal exchange between Kobe (JP) and Huddersfield (UK). The piece is composed of 24 postcards embodying seasonal aural experiences. The day presents Cooper and Akamas’ actualisation of the score.
The audience is invited to a soundwalk between two venues and, at points, asked to participate in the performance.
You are welcome to attend one performance at The Teley or Leftbank, or join in the entire journey and participate in the performance. This is a new way to listen to and explore Leeds, which is full of nature and industrial history.
Once you book your place, you will receive a ‘sound map’ ahead of the event.
Thanks to Leeds Inspired and the Arts and Humanities Research Council for funding this event. It would not have been possible without their financial support.
The Tetley, Hunslet Rd, Leeds LS10 1JQ
Left Bank, Cardigan Rd, Burley, Leeds LS6 1LJ
BIOGRAPHIES:
Ed Cooper is a composer and artist based in Leeds, UK. Encompassing deep-listening techniques, temporal aesthetics, and musical fragility, his interdisciplinary practice centres on liminality — the functions and dimensions of the ‘in- between’. Specifically, it explores how a liminal state might not rely on stable phenomena to transition between, but these areas of ambiguity might move from being a passageway and to a productive site in and of themselves: instability precedes stability and fixity. He is currently studying a practice-led PhD at the University of Leeds, supervised by Martin Iddon and Scott McLaughlin; this is fully funded by the Arts and Humanities Research Council, through the White Rose College of Arts and Humanities (WRoCAH).
Ryoko Akama works with installations and sounds who approaches listening situations that magnify silence, time and space. Her sculptural work engages with mundane objects and invisible energies such as magnetism and gravity, employing small and fragile objects such as paper balloons and glass bottles in order to create tiny aural and visual occurrences that embody ‘almost nothing’ aesthetics. She also composes text scores and performs a diversity of alternative scores in collaboration with other artists and musicians. She is an artistic director for ame and co-runs the independent publisher mumei publishing and melange edition. www.ryokoakama.com

Time

(Sunday) 1:00 pm - 4:00 pm

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